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- Patrick White’s Novels and NietzscheEssay1 May 1980
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Les Murray: A Selective ChecklistEssay1 October 2001
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008