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‘Maurice Guest’ and the Siren Voices

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

Dorothy Hewett’s Faith in Doubt

Salt Scars: John Kinsella’s Wheatbelt

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Coetzee’s Womanizing

Jack Lindsay and MI5: More than Surveillance

Interview with Thomas Keneally, Manly, 27 June 2012

‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly Tipping

Tranter’s Plots

Voyage and Kaleidoscope in George Johnston’s Trilogy

A Frame of Reference: Rosemary Dobson’s Grace Notes for Humanity