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- New Directions Via *A Body of Water*Essay1 October 1995
- Judith Wright: Corrections to Biographical ErrorsEssay1 October 2000
- How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*Essay1 October 2006
- Challenging Voices: Tracing the Problematic Role of Testimony in Political ChangeEssay1 October 2006
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- The Hero’s ‘Fear of Freedom’ in KeneallyEssay1 October 1972
- The Traditionalism of James McAuleyEssay1 October 1983
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992