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- Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical NovelEssay1 May 1986
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Some Mary Gilmore LettersEssay1 October 1972
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*Essay1 October 1968
- Authors’ Statements [Frank Moorhouse]Essay1 October 1981
- Authors’ Statements [Barry Hill]Essay1 October 1981
- Editors’ Statements [Peter Cowan]Essay1 October 1981
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- Myth and the Poetry of A. D. HopeEssay1 October 1975
- The Dismissal of Chris Brennan from the University of SydneyEssay1 October 1976