Your search for “literary” found 1945 results
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- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Counter-PoeticsEssay1 June 2011
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012