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- Getting Started: The Emergence of Christina Stead’s Early FictionEssay1 October 1987
- Interview with Andrew TaylorEssay1 May 2004
- ‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative LifeEssay1 May 2009
- Interview with David MaloufEssay1 May 2010
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940sEssay25 May 2024
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Brunton Stephens as Literary CriticEssay1 December 1965
- Mona Brand: A Checklist, 1935-1980Essay1 May 1981
- A Checklist of Black Australian LiteratureEssay1 October 1983
- Joseph Furphy: An Annotated Checklist of Items in PeriodicalsEssay1 May 1984
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- An Interview with Carter BrownEssay1 May 1975
- The Original Nosey AlfEssay1 October 1975
- Jimmy Governor and Jimmie BlacksmithEssay1 May 1979
- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994