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- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967
- *The Young Cosima*Essay1 May 1970
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Alan SeymourEssay1 May 1974
- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007