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- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- The Fiction of Beverley FarmerEssay1 May 1990
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- The Politics of English Studies in IndiaEssay1 June 2013
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Les Murray’s Talking MosaicsEssay19 December 2024
- A Lost Satire on the 1890s *Bulletin* Writers and BohemiansEssay1 October 1986
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015