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Anthologies and Orthodoxies

A.B. Facey’s Australian Autobiography

Impossible Literary Histories

Price Warung: Some Bibliographical Details and a Checklist of the Stories

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Patrick White’s Novels and Nietzsche

The One-Actor Play in Australian Drama

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Reading Carey Reading Malley

‘Talking with Yagan’s Head’: The Poetry of John Mateer

The Company She Keeps: Demidenko and Imposture in Autobiography

Mid-Victorian Reading and the Antipodes

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Future Tense: *Dead Europe* and Viral Anti-Semitism