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‘Eyre All Alone’: Francis Webb as Mythmaker

Review of *Kenneth Slessor, A Biography* by Geoffrey Dutton, and *The Annotated Such is Life* by Joseph Furphy, ed. F. Devlin-Glass, R. Eaden, L. Hoffman, and G.W. Turner

Review of *The Folly of Spring: A Study of John Shaw Neilson's Poetry* by Cliff Hanna, and *Dimitris Tsaloumas: Poet* by Con Castan

Challenging the Editing of the Rachel Henning Letters

Review of *List of Australian Writers 1788-1992*, comp. by John Arnold, and *The Oxford Companion to Australian Literature*, by William H. Wilde, Joy Hooton, and Barry Andrews

Review of *The Recollections of Geoffry Hamlyn*, *Maurice Guest*, and *The Journal of Annie Baxter Dawbin: July 1858 - May 1868*

Review of *Jean Devanny: Romantic Revolutionary*, by Carole Ferrier

Henry Kendall’s Religion

*My Brilliant Career*: The Career of the *Career*

Irish Republicanism and the Colonial Australian Bushranger Narrative

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

‘Colonial Literature for Colonial Readers!’

Catherine Martin, Writer: Her Life and Ideas

Reopening the Case of Ada Cambridge

Barry Oakley and the Satiric Mode

The Craftsmanship of Lawson Revisited

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Dramatising the Self: Beverley Farmer’s Fiction

The Fiction of Beverley Farmer