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‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

Gender Buttons

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Simon During, Crisis Talk and the Legacies of the 1980s

Barbara Baynton: Woman as ‘The Chosen Vessel’

A New Version of Pastoral: Developments in Michael Wilding’s Fiction

David Campbell’s Poetic Mind

Anthologies and Orthodoxies

Reopening the Case of Ada Cambridge

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Future Tense: *Dead Europe* and Viral Anti-Semitism

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

The Return of the Fairy: Australian Medievalist Fantasy for the Young

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

A Lady’s Letter from London: 1873-1908