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- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the CurriculumEssay19 September 2017
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- The Radiant Dream : Notes on Henry KendallEssay1 October 1969
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Impossible Literary HistoriesEssay1 October 2010
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010