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Introduction: AI and the Future of Literary Studies

Literary Criticism in Australia: A Change of Critical Paradigms?

Beatrice Davis and ‘The Sacredness of the Printed Word’

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Interpretation; or, AI’s Missing Algorithm

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

The Radiant Dream : Notes on Henry Kendall

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Impossible Literary Histories

Poetry and Politics in Oodgeroo: Transcending the Difference

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Man, Work and Country: The Production of Henry Lawson

Transgressing Language?: The Poetry of Ania Walwicz

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Reading Kate Llewellyn’s Garden(Books)