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- Review of *David Foster: The Satirist of Australia*, by Susan LeverReview1 June 2011
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Review of *The Australian Short Story before Lawson*, ed. Cecil HadgraftReview1 October 1986
- Review of books by Richard D. Jordan and Peter Pierce, Elizabeth Webby, Lucy Sussex, Elizabeth Morrison, and Gillian WhitlockReview1 October 1990
- Why Australia? Or Against the Fragmentation of English Literary StudiesEssay1 May 2000
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political NovelEssay1 October 1970
- A SurveyEssay1 October 1977
- An Absence of PartisanshipReview1 May 1997
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- The Politics of English Studies in IndiaEssay1 June 2013
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- Helen Garner’s EducationEssay28 October 2021