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‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Recentring Water: Thinking with the Chain of Ponds

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Introduction: AI and the Future of Literary Studies

Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany

The Historical Basis of For the Term of His Natural Life

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

The Dual Nature of Shaw Neilson’s Vision

John Grant: Australia’s First ‘Really’ Radical Poet

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Folie, Topography and Family in Murray’s Middle-Distance Poems

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*