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- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- A Decade of ComplaintsEssay30 October 2023
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’Essay1 October 1970
- 'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?Essay1 May 1981
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Adam McCay and Sydney’s Literary Bohemia (1911-1947)Essay1 October 1984
- Review of *In A Critical Condition* by John Docker; and *The Music of Love: Critical Essays on Literature and Life* by Dorothy GreenReview1 May 1985
- Australian Poetry 1970-1980: Some Statistical ObservationsEssay1 May 1983
- Australian Bards and British ReviewersEssay1 May 1975
- The New Dreamtime : Kath Walker in Australian LiteratureEssay1 May 1973
- Repetition and Menace in Hal Porter’s ‘The Tower’Essay1 May 1973
- ‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69Essay1 October 1973