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Texts and Contexts of the Availability and Editing of Australian Texts

Some Sources of *White Stag of Exile*

Review of *Catherine Helen Spence* ed. Helen Thomson; and *Point of Departure. The Autobiography of Jean Devanny* ed. Carole Ferrier

Review of *Australiska och Nyzeeländska Författare på Svenska* by Henry Segeström

The Provincial Muse 1888-1900

A Link with Late Nineteenth-Century Decadence in ‘Maurice Guest’

A Prodigious Dilemma: Gwen Harwood’s Professor Eisenbart and the Vices of the Intellect

*MOK*

David Foster

‘What Has He Done For Our National Spirit?’—A Note On Lawson Criticism

Review of *A.D. Hope* by Joy Hooton

Stanzas at Leisure from Neglect

Review of *Book Publishing in Australia: A Living Legacy*, edited by Millicent Weber and Aaron Mannion

Judith Wright: Corrections to Biographical Errors

Review of *Lohrey* by Julieanne Lamond

Review of *The Experimental Fiction of Murray Bail* by Michael Ackland

Review of *Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthropocene* by Kathrin Bartha-Mitchell

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

The Making of Thomas Keneally