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The Dual Nature of Shaw Neilson’s Vision

John Grant: Australia’s First ‘Really’ Radical Poet

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Folie, Topography and Family in Murray’s Middle-Distance Poems

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Coetzee’s Womanizing

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Les Murray’s Talking Mosaics

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

On Not Having Sex: Sumner Locke Elliott and Queer History