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- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- Alan SeymourEssay1 May 1974
- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- Patrick White’s Novels and NietzscheEssay1 May 1980
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Reading Carey Reading MalleyEssay1 October 2004
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008