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- The Values of *Critique*Essay30 October 2023
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Bruce Dawe and the AmericansEssay1 October 1979
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political NovelEssay1 October 1970
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- *Ralph Rashleigh*: A Convict DreamEssay1 May 1976
- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- Some Mary Gilmore LettersEssay1 October 1972
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997