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- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Impossible Literary HistoriesEssay1 October 2010
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- *Ralph Rashleigh*: A Convict DreamEssay1 May 1976
- Annual Bibliography of Studies in Australian Literature: 1976Essay1 May 1977
- Old Orders, New Lands: The Earth Spirit in Picnic at Hanging RockEssay1 May 1978
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998