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- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- IntroductionEssay7 December 2016
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- Art Builds on Art: Rosemary Dobson and Thea ProctorEssay1 May 1975
- ‘What Has He Done For Our National Spirit?’—A Note On Lawson CriticismEssay1 October 1978
- Burke and Wills and the Colonial Hero: Three PoemsEssay1 October 1971
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Patrick White’s Use of ImageryEssay1 June 1966
- Concrete Poetry: A Form In Search of Its SelvesEssay1 October 1977
- Review of *Artful Histories: Modern Australian Autobiography*, *Autographs: Contemporary Australian Autobiography*, and *The Cartographic Eye: How Explorers Saw Australia*Review1 May 1997
- Review *The Dictionary of Literary Biography, Volume 289: Australian Writers 1950-1975*, edited by Selina SamuelsReview1 October 2005