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Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

Review of *The Fiction of Tim Winton: Earthed and Sacred*, by Lyn McCredden.

Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

The Company She Keeps: Demidenko and Imposture in Autobiography

Tainted Testimony : The Khouri Affair

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

**Aboriginal Mobilities and Colonial Serial Fiction**

What is Australian Popular Fiction?

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

Worlds Apart? Finnish Translations of Australian Literature

Beyond Capricornia: Ambiguous Promise in Alexis Wright

Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital Decade

A Lady’s Letter from London: 1873-1908

Short Notices

Review of *A Study of Christopher Brennan's The Forest of Night* by A.R. Chisholm; and *The Letters of Hugh McCrae* selected by Robert D. Fitzgerald

Harpur’s Notes and Kendall’s Bell Birds