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Interview with David Malouf

Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla Modjeska

‘The Loaded Dog’: A Celebration

‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*

In the Beginning: David Malouf’s *An Imaginary Life*

A New Version of Pastoral: Developments in Michael Wilding’s Fiction

Family and the Father in the Poetry of Les A. Murray

Recoil from Disorder: David Ireland’s *The Chantic Bird*

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

An Interview with Archie Weller

Professing the Popular: Political Fiction circa 2006

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Repetition and Christina Stead’s *The Man Who Loved Children*

Editors and Poets: Poetry in Australia 1931-1981

Review of *The Portrayal of Women in the Fiction of Henry Handel Richardson*, *Gender, Politics and Fiction. Twentieth Century Australian Women's Novels*, *Dictionary of the Australian Theatre. 1788-1914*, *Henry Handel Richardson: a Critical Study*

Review of *Douglas Stewart* by Clement Semmler and *Vance and Nettie Palmer* by Vivian Smith

Review of *The Stenhouse Circle: Literary Life in Mid-Nineteenth Century Sydney* by Ann-Mari Jordens

Review of *Helen Garner*, by Kerryn Goldsworthy, *Masks, Tapestries, Journeys: Essays in Honour of Dorothy Jones*, edited by Gerry Turcotte, and *Reading Aboriginal Women's Autobiography*, by Anne Brewster

Review of books by Debra Adelaide, Helen Daniel, Chris Tiffin, Ken Gelder and Paul Salzman