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- The Whirligig and FurphyEssay1 May 1976
- Review of *Marjorie Barnard and M. Barnard Eldershaw* by Louise E. RorabacherReview1 October 1974
- *Salt*: An Australian Second World War Journal and Its ContemporariesEssay1 May 1993
- Henry Kingsley, and the ‘Dear Old Station’: The ‘Baroona’ of *Geoffry Hamlyn*?Essay1 October 1993
- Some Major Themes in the Novels of Katharine Susannah PrichardEssay1 June 1963
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Review of *A Study of Christopher Brennan's The Forest of Night* by A.R. Chisholm; and *The Letters of Hugh McCrae* selected by Robert D. FitzgeraldReview1 October 1971
- Steele Rudd’s Real Dad: An Exiled Convict?Essay1 May 1987
- Review of *From Deserts the Prophets Come: The Creative Spirits in Australia* by Geoffrey SerleReview1 May 1974
- Art, Life and Authority in Australian Literary Culture: Marr and WhiteEssay1 October 1992
- Body in the Vault: The Unpublished Novels of Eve LangleyEssay1 May 1993
- A.G. Stephens’s ‘Bookfellow’ in New ZealandEssay1 October 1993
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- *The Young Cosima*Essay1 May 1970
- Jack LindsayEssay1 October 1983
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015