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- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- A Decade of ComplaintsEssay30 October 2023
- American Dreaming : The Fictions of Peter CareyEssay1 October 1986
- John TranterEssay1 October 1977
- Interview with Hal PorterEssay1 May 1978
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- Helen Garner’s EducationEssay28 October 2021
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Review of *Harry Heathcote of Gangoil: A Tale of Australian Bush Life* by Anthony Trollope; with an Introduction by Marcus MuirReview1 June 1964
- Towards a Reassessment of the MSS of Shaw NeilsonEssay1 October 1968