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A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

Drama’s Vitallest Expression: The Fiction of Olga Masters

David Malouf’s *Child’s Play* and ‘The Death of the Author’

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

Truth beyond the Language Game: The Poetry of Gwen Harwood

‘realer than the Real’ : Francis Webb’s 'Ward Two'

Daniel Deniehy: A Checklist of Writings and Speeches

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Still Life: Art and Nature in Vivian Smith’s Poetry

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

Excavating a Bonanza: Sarah Campion

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

An Indian without a Country