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- Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*Essay31 October 2015
- The Traditionalism of James McAuleyEssay1 October 1983
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s BiographyEssay1 May 1988
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- An Interview with Archie WellerEssay1 October 1993
- Ern Malley and His RivalsEssay1 May 2001
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Les Murray’s Talking MosaicsEssay19 December 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024