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- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- The Telling of Marmel’s StoryEssay1 June 2009
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Reading EnglishEssay1 June 2013
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012
- Review of Martin Boyd, by Brenda NiallReview1 October 1979
- Review by Martin DuwellReview1 May 1991
- Review of *The Red Professor: The Cold War Life of Fred Rose*Review1 June 2016
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- The Short Stories of Judith WrightEssay1 June 1963
- Review of *Charles Harpur, An Australian* by J. Normington RawlingReview1 June 1963
- The Redemptive Theme in *His Natural Life*Essay1 June 1965