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- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- The Fiction of Gabrielle LordEssay1 October 1999
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- An Indian without a CountryEssay1 June 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- Annual Bibliography of Studies in Australian Literature: 1998Essay1 May 1999