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C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

Of Sages and Sybils: Alec Hope and Judith Wright

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

The Modernist Sacred: Randolph Stow and Patrick White

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Generations Lost and Found: Reading Women Writers Together

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Salt Scars: John Kinsella’s Wheatbelt

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

Reading Dickens

The Return of the Fairy: Australian Medievalist Fantasy for the Young

The Politics of English Studies in India

The Impact of Literature

Daemonic Currents in Dorothy Porter’s Poetry

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Christina Stead’s Student Publications