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- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*Essay1 October 2006
- ‘Sweet Mary of Kilmore’: Discrimination in Australian Folklore ScholarshipEssay1 November 2008
- Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential FriendEssay1 October 2005
- Letter to the EditorEssay1 October 2008
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Authors’ Statements [Shirley Hazzard]Essay1 October 1981
- The Values of *Critique*Essay30 October 2023
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Les Murray’s Talking MosaicsEssay19 December 2024
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- Interview with Kerry Reed-GilbertEssay5 May 2016
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015