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- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- A SurveyEssay1 October 1977
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- Short NoticesReview1 October 1969
- Review of variousReview1 October 1969
- Editors’ Statements [Jim Davidson]Essay1 October 1981
- An Interview with Thomas KeneallyEssay1 October 1986
- Some of the Ghosts: Growing Up in TasmaniaEssay1 October 1989
- *The Chant of Jimmie Blacksmith*: The Film of the BookEssay1 May 1979
- Review *Frank the Poet* by John Meredith and Rex WhalanReview1 October 1980
- Review of *A Writing Life* By Giulia GiuffréReview1 October 1990
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996