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- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- The Tennysons in Literary AdelaideEssay31 October 2015
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- Review of *Colonial Ballads* by Hugh AndersonReview1 December 1963
- The Australian Career of John Lang, NovelistEssay1 June 1964
- Review of *An Introduction to Australian Literature*, edited by C. D. NarasimhaiahReview1 December 1966
- A. G. Stephens as Editor of Barcroft Boake’s PoemsEssay1 May 1968
- Review of *The Poetical Works of Henry Kendall* edited by T.T. Reed, and *The Landscape of Australian Poetry* by Brian ElliottReview1 October 1968
- Review of *Shaw Neilson* and *Louis Stone* by H. J. OliverReview1 October 1969
- Authors’ Statements [Barry Hill]Essay1 October 1981
- James McAuley’s Captain QuirosEssay1 May 1987
- Australian Paintings in EnglandEssay1 May 1988
- Tranter’s PlotsEssay1 May 1989
- Myth and the Poetry of A. D. HopeEssay1 October 1975
- The Whirligig and FurphyEssay1 May 1976