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- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral ElegyEssay30 June 2015
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- David Malouf and the Language of ExileEssay1 October 1982
- Joseph Furphy: An Annotated Checklist of Items in PeriodicalsEssay1 May 1984
- Apollo in George StreetEssay1 October 1986
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Four Notes on the Practice of RevolutionEssay1 October 1977
- Xavier Herbert: A ChecklistEssay1 October 1978
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978