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Why Australia? Or Against the Fragmentation of English Literary Studies

Theory as Fireworks: An Interview with Brian Castro

Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*

Review of *Jean Devanny: Romantic Revolutionary*, by Carole Ferrier

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*

‘Sweet Mary of Kilmore’: Discrimination in Australian Folklore Scholarship

Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential Friend

Letter to the Editor

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Displaced Homelands in Gerald Murnane’s *Inland*

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Authors’ Statements [Shirley Hazzard]

The Values of *Critique*

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Interpretation; or, AI’s Missing Algorithm

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Les Murray’s Talking Mosaics

Picturising Patois in *The Sentimental Bloke*