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‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Fantasising the Nation for Child Readers in Early Australian Fairy Tales

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

Shame in Ruth Park’s Inner Sydney Novels

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

A Versatile Career: Ruth Park’s Novels in the American Marketplace

Transforming *Jane Eyre*: Its Australian Stage Adaptations

Jack Lindsay’s Historical Writings

Charles Harpur and the Myth of Origins

Facey’s A Fortunate Life and Traditional Oral Narratives

*An Imaginary Life*: The Dimensions of Self

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Official Criticism? Critical Practices and Australian Poetry

The Pursuit of Oblivion: In Flight from Suburbia

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Society of Women Writers 1925-1935

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Remembering the War: Australian Novelists of the InterWar Years

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering