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- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- Medievalism, Nationalism, Colonialism: IntroductionEssay1 October 2011
- The Making of Thomas KeneallyEssay30 May 2015
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Shaw Neilson’s PoetryEssay1 December 1966
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- A Checklist of Australian Literature of the First World WarEssay1 October 1985
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Old Orders, New Lands: The Earth Spirit in Picnic at Hanging RockEssay1 May 1978
- The One-Actor Play in Australian DramaEssay1 May 1981
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012