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- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- An Absence of PartisanshipReview1 May 1997
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Les Murray: A Selective ChecklistEssay1 October 2001
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007