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Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan Moorehead

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

From the Sudan to Saigon: A Critical Review of Historical Works

Gentlefolk Errant: The Family Writings of Martin Boyd

Marcus Clarke’s *Chidiock Tichbourne*

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Boundary Crossing: The Novels of David Foster

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades