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‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Demidenko/Darville: A Ukrainian-Australian Point of View

Manifesting Literary Feminisms: Nexus and Faultlines

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Beatrice Davis and ‘The Sacredness of the Printed Word’

‘Our Literary Connexion’: Rosa Praed and George Bentley

Coetzee’s Womanizing

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

Helen Garner’s Education

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Teaching the Value of Literature (and Other Paradoxes)

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

**Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Shannon’s Information Theory, AI, and Fiction

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.