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- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Friendship in a Time of LonelinessEssay1 May 2009
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013