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- Review of *Not Wrong - Just Different: Observations on the Rise of Contemporary Australian Theatre*, by Katharine BrisbaneReview1 October 2006
- Review of *Nine Lives: Postwar Women Writers Making Their Mark*, by Susan SheridanReview1 June 2011
- *Under Twenty-Five* and the ‘Lost’ Stories of Murray Bail and Peter CareyEssay1 October 2010
- Review of *Stella Miles Franklin: A Biography*, by Jill RoeReview1 October 2010
- Review of *Decolonising Animals*, edited by Rick de VosReview18 December 2023
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- The Radiant Dream : Notes on Henry KendallEssay1 October 1969
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Marcus Clarke and the TheatreEssay1 May 1975
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- The Fiction of Beverley FarmerEssay1 May 1990
- The Solitariness of Alex MillerEssay1 May 2004
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Tainted Testimony : The Khouri AffairEssay1 October 2004