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- Review of *Australian Literary Pseudonyms: An Index with Selected New Zealand References* compiled by Bruce Nesbitt and Susan HadfieldReview1 October 1974
- Christine TownendEssay1 October 1977
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- About Face: Asian-Australians at HomeEssay1 May 2002
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul GenoniReview1 October 2008
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Christina Stead’s Student PublicationsEssay7 December 2016
- Primary Sources for the Study of the Vocabulary of Nineteenth Century Australian EnglishEssay1 December 1964
- Review of *The Writer in Australia 1856-1964*, edited by John BarnesReview1 October 1969
- Review of *Witnesses of Spring: Unpublished Poems* by Shaw NeilsonReview1 October 1971
- Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*Essay1 October 1982
- The Struggle of the Modern in AustraliaEssay1 May 1984
- Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’Essay1 May 1981
- Review of *Straight Left* by Katharine Susannah Prichard *An Introduction to Australian Literature* ed. C.D. Narasimhaiah, and *A Common Wealth of Words* ed. Maureen Freer and Ken GoodwinReview1 October 1983
- Review of *Louisa* by Brian MatthewsReview1 May 1988
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999
- Authors’ Statements [Shirley Hazzard]Essay1 October 1981