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- Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s BiographyEssay1 May 1988
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Impossible Literary HistoriesEssay1 October 2010
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’Essay1 October 1978
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997