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Australian Literature: Points for Departure

The Literary Reputation of Adam Lindsay Gordon

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Salt Scars: John Kinsella’s Wheatbelt

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Amanda Lohrey's *Vertigo*: An Australian Pastoral

Christina Stead’s Student Publications

Charles Rowcroft: An Unpublished Memoir

Editors’ Statements [Craig Munro]

Review of *The Oxford History of Australian Literature* ed. Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Review of *Christopher Brennan*, ed. with introduction and notes by Terry Sturm

Texts and Contexts of the Availability and Editing of Australian Texts

Review of *A History of Australian Literature, vol 1 1789-1923, vol. 2 1923-1950* by H.M. Green, rev. Dorothy Green; and *A History of Australian Literature* by Ken Goodwin

Review of *Catherine Helen Spence* ed. Helen Thomson; and *Point of Departure. The Autobiography of Jean Devanny* ed. Carole Ferrier

A Prodigious Dilemma: Gwen Harwood’s Professor Eisenbart and the Vices of the Intellect

Review of *From Deserts the Prophets Come: The Creative Spirits in Australia* by Geoffrey Serle

Review of books by Brenda Niall, Harry Heseltine, Mary Lord and R.G. Geering