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- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- The Values of *Critique*Essay30 October 2023
- Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer ReviewEssay30 October 2023
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Technologies of Literature: Reading, Judgment, and the Large Language ModelEssay22 December 2025
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- Interview with Kerry Reed-GilbertEssay5 May 2016
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- The Historical Basis of For the Term of His Natural LifeEssay1 December 1963
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987