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Performance for the People

An Interview with Tim Winton

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

‘By What Sign / Are You Walking?’: The Poetry of Judith Rodriguez

‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*

Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam Shoemaker

Littoral Erosion: The Changing Shoreline of Australian Culture

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Intricate Knots and Vast Cosmologies: The Poetry of Judith Beveridge

Les Murray: Watching with His Mouth

*My Brilliant Career* and Feminism

Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s Interests

‘Unrelaxing Fortitude’: Susannah Franklin

My Brilliant Career and Radicalism

Wishing for Political Dominance: Representations of History and Community in Queer Theory

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Mudrooroo: Crafty Imposter or Rebel with a Cause

‘untranscended / life itself’: The Poetry of Pam Brown

Indigenous Sovereignty in the Poetry of Romaine Moreton

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism