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- Review of *Henry Handel Richardson: Fiction in the Making* by Axel Clark, *The Importance of Being Eve Langley* by Joy L. Thwaite, and *The Last Exquisite: A Portrait of Frederic Manning* by Verna ColemanReview1 May 1991
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- The Solitariness of Alex MillerEssay1 May 2004
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Reading Carey Reading MalleyEssay1 October 2004
- Brereton, the *Bulletin*, and A.G. StephensEssay1 June 1963
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- Annual Bibliography of Studies in Australian Literature: 2003Essay1 May 2004
- Clem Christensen and His LegacyEssay1 May 2004
- Review of *Fabulating Beauty: Perspectives on the Fiction of Peter Carey*, edited by Andreas GaileReview1 May 2006
- Review of *Ida Leeson: A Life - Not a Blue-Stocking Lady*, by Sylvia MartinReview1 May 2007
- Review of *The Third Metropolis: Imagining Brisbane through Art and Literature 1940-1970*, by William HatherellReview1 November 2008
- Review of *Mudrooroo: A Likely Story*, by Maureen ClarkReview1 November 2008
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Review of *Creme de Ia Phlegm: Unforgettable Australian Reviews*, edited by Angela BennieReview1 October 2008
- Review of *A Companion to Australian Literature since 1900*, edited by Nicholas Birns and Rebecca McNeer.Review1 May 2009