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Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

In the Beginning: David Malouf’s *An Imaginary Life*

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

The Asian Conspiracy: Deploying Voice/Deploying Story

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

How Australia’s Literary History Might be Written

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Themes and Imagery in *Voss* and *Riders in the Chariot*

Jack Lindsay

Mateship, Individualism and the Production of Character in Australian Fiction

Shirley Hazzard: Transit and *The Bay of Noon*

The One-Actor Play in Australian Drama

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing