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Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

Out of Context: A Study of Thomas Keneally’s Novels

Some Developments in Short Fiction, 1969-1980

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

In the Beginning: David Malouf’s *An Imaginary Life*

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

The Asian Conspiracy: Deploying Voice/Deploying Story

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

How Australia’s Literary History Might be Written

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Themes and Imagery in *Voss* and *Riders in the Chariot*