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Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

On Not Having Sex: Sumner Locke Elliott and Queer History

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

Irish Republicanism and the Colonial Australian Bushranger Narrative

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary Material

At the Edge: Geography and the Imagination in the Work of David Malouf

Charles Harpur and the Myth of Origins

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Christina Stead: An Interview

*The Battlers*: Kylie Tennant and the Australian Tradition

‘…The Wild Assertion of Vitality’

Official Criticism? Critical Practices and Australian Poetry

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne