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'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

On Not Having Sex: Sumner Locke Elliott and Queer History

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

Irish Republicanism and the Colonial Australian Bushranger Narrative

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary Material

At the Edge: Geography and the Imagination in the Work of David Malouf

Charles Harpur and the Myth of Origins

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Christina Stead: An Interview

*The Battlers*: Kylie Tennant and the Australian Tradition