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- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- Ways of Seeing : Henry Lawson’s ‘Going Blind’Essay1 May 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999